Attila Csaji - Agnus Dei - PhotoGallery

La Biennale di Venezia 2009

This is a part of Pietro Franesi interview at the Opening of La Biennale di Venezia, June 4-6, 2009.

INTERVIEW

I HAVE BEEN TO THE OPENING OF LA BIENNALE DI VENEZIA

5 DAYS WERE NECESSARY TO VISIT ARSENALE AND GIARDINI ( NATIONAL PAVILIONS ).

I LIKE THIS EDITION, I LIKE THIS CURATOR.

THIS EDITION IS THE BEST OF THE LAST YEARS.

I LOVE RUSSIAN , POLAND PAVILIONS AND LAMYA HUSSAIN GARGASH ( UAE PAVILION )

I WAS ENCHANTED BY WEIGHT, BY CLASS, BY ELEGANCE, BY BEAUTY, BY REFINEMENT OF THE UKRAINIAN PAVILION.

THE PROCESS OF CHANGE OF CONTEMPORARY ART, DESPITE THE ART AUCTIONS, GALLERIES AND FAIRS, CONTINUES, SLOWLY BUT INEXORABLY.

THE MAIN FACTORS ARE THE TRANSITION FROM THE OBJECT TO THE PROCESS, FROM THE REPRODUCIBILITY TO THE UNIQUENESS, FROM THE DEALER TO THE ARTIST, FROM COMMERCIAL MATERIAL SPACE TO IMMATERIAL SPACE.

YES WE CAN CHANGE THE CONTEMPORARY ART MARKET.

ADVISE TO VISIT THIS EDITION

THANK YOU MR DANIEL BIRNBAUM

Pietro Franesi

Director

NY BIENNALE ART

Miguel Chevalier - Fractal Flower 2008

http://www.miguel-chevalier.com/site/pages/autr/59/mosaen.htm

Miguel Chevalier

http://miguel-chevalier.com/newsletter/newsletter.php?news_id=22

Attila Csaji - Solo Exhibition

ATTILA CSAJI

Solo Exhibition

"AGNUS DEI"

A new laser light- and sound- installation

curated by Pietro Franesi

Crypt of the Cathedral of Saint Peter

Pécs, Hungary

June 20-21.

Opening 13:00-22:00

Sponsorship

Pécs/Sopianae Heritage Ltd.

Pécs Cultural Centre

Web

http://pecsikult.hu/en/events/show/30011/attila-csaji-agnus-dei-–-laser-light-and-sound-play

http://www.nybiennaleart.org/light_art.htm

Attila Csáji, after several successes all around the world revert whith a solo exhibiton "AGNUS DEI ", curated by Pietro Franesi, in Pécs, Hungary. He is a painter, a graphic artist, a lights artist and a holographer, so he's definable as a “scientist artist” because his art work can comunicate through particular scientific tecniques.

Attila Csáji's art works represent at all the idea of immaterialism, in fact, his installations want return to primitive idea of drawing: the pictograph of the prehistoric age reinterpreted with light. One of the particularity of his works is the contrast between the current world, the dynamism and progress, and the prehistoric painting which represent the first kind of visual expession. With some of most advaced technologies, laser and hologram, he bring at the pubblic primal and pure emotions. Tecnology is utilized for return at primordial sensations, where immaterial surpass material. This apparent antithesis represent, instead, one of strengths of Csáji's art. Csáji doesen't want represent some material object, his works don't would be a copy of reality but new visual creations. He want show a multimedial light sculpture, mobile in time and space also accompained by music. With light art all is possible, every shade of colour, different beam of light, sudden sparkle creating new sensations always different. The shapes created by Csáji with optical effects are always in evolution, every time new. In this case cooperation between science and art allow to raise art from a static material value to a dinamic and free immaterial one.

So dismiss yorself to this primordial sensations.

Good vision.

Pietro Franesi

Roland Senoner: KUNSTFORUM UNTERLAND - Egna

http://www.exibart.com/profilo/eventiV2.asp?idelemento=74467

http://informarte.ning.com/events/mostra-personale-roland

http://www.articoweb.it/inaugurazioni/roland-senoner-egna-bz-kunstforum-unterland-fino-al-20609

http://montytran.com/weblog/posts/91608-roland-senoner-performance-exhibition-gelabert-gallery-ny-ny/

Chin Chin Yang: 100 degrees

100 Degrees

June 6 – July 10, 2009
33rd Street & Queens Boulevard, LIC, Queens-NY

Public Intervention Art Project created by artists Hector Canonge and Chin Chih Yang highlights Queens Boulevard and one of the most transited stops under the # 7 Train. The project raises awareness about the environmental state of the planet and encourages audiences to participate in the creation of a temporary site-specific installation.

Saturday, June 6
Public Interactive Performance: 1 - 5 pm
Opening & Video Projections: 6 – 9 pm

Long Island City, Queens-NY (May 2009) -- As part of this year’s Queens Art Express program, New-media artist, Hector Canonge, and media artist, Chin Chih Yang, present the public intervention art project “100 Degrees.” The artists’ collaboration, a commission of the Queens Council on the Arts, consists of a 10 feet transparent sphere whose surface displays the seven “fired up” continents while an encapsulated tree, made from recycled materials, displays writings, opinions, and views of participant audiences. During its month long installation, at 33rd Street & Queens Boulevard (Under the 33 St. Station, # 7 Train), the project is intended to raise awareness about the present state of the planet and the raising of global temperatures affecting various ecosystems. For the opening day, the artists will conduct public workshops, and project visuals taken from popular film culture accompanied by text, sounds, and live video.

Informal Reception at The New Thompson Dinner (across from the installation site).

Directions:
By Train: # 7 Train to Main Street, Flushing, EXIT at 33rd Street/Rawson Street stop station (Installation is at the street level).

More information: www.hectorcanonge.net | www.123soho.com

Contact the artists:
Hector Canonge, 646-338-6301, hector@hectorcanonge.net
Chin Chih Yang, 917-547-9651, chin@123soho.com

Photo Credit: Courtesy of the artists.

100 Degrees is a commission by the Queens Council on the Arts for Queens Art Express. The project is funded in part by the NYC Department of Transportation Urban Art Program –Artenvetions. Additional support provided by the Culture Center of Taipei Economic Office in New York.

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From Chin Chin Yang: Thank you for support on 100 degrees project

Dear Friends,

It was great to see many of you at the opening of 100 Degrees on Saturday.

If you were not able to join us in at the opening, you can still see 100 Degrees (on view until July 10) at 33rd Street Stop of the # 7 Train.

This is the review of the NY Times:

http://www.nytimes.com/2009/06/06/nyregion/06artexpress.html?_r=1&scp=1&sq=Anne%20Barnhard&st=cse

Thank you for your support.

Best Regards,
Chin Chih
917-547-9651
www.123soho.com